「RE:AND」藝術設計博覽會

.

ABOUT 關於活動

2023年全球正式進入後疫情時代，各產業發展逐漸復甦，藝術市場面對疫情影響產生了巨大變化，我們需要為創作者提供更多流動性的發展空間，並推出台灣首個「不收展位費用」的藝術博覽會，提出了創新的交易機制，從參展者的作品銷售中抽取一定比例的銷售佣金，讓更多的藝術家和畫廊參與，同時也讓展覽更加公平和可持續。這種創新的交易機制分擔風險和責任到每一個參展者和主辦方身上，降低了參展成本，也鼓勵每一個參展者更積極地參與銷售和宣傳。

 

此外，「RE:AND 」藝術設計博覽會也聚焦在「35歲以下的藝術與設計的創作者」，為這群年輕人打開了更多的發展空間，讓他們有更多的曝光跟機會。在這次的展覽徵件中，需要提供策展主題及相關論述，展間呈現將根據主題內容陳列設計，此外，獨立藝術家需要搭配一位策展人或藝術行政參展，以個展或主題策展的方式報名參加，確保展品的品質和專業性，這樣的參展模式可以提高整個藝術產業的水平和發展，期望能夠透過這樣的平台培養更多優秀的更多的策展人、藝術行政和藝術經紀。

 

「新商業模式」、「支持新銳藝術家」、「公平透明的交易模式」為3大「RE:AND」藝術設計博覽會和platform A不謀而合的共同理念。本次藝術電商平台platform A作為O2O 策展協辦單位。platform A 致力於打造一個專屬於創作者與收藏家的平台，讓每位愛好者都能因為藝術而在這個平台相遇。而藝術電商平台於台灣為較新之藝術交易模式；透過更透明公平的交易模式；讓藝術買賣觸及更多新受眾，成為所有觀眾皆可收藏喜愛作品的新興平台。本次展會我們共同合作特別企劃，企劃特別線上展區，於展後持續3個月之線上展銷，延長整體展會之觀看與活動效益。

 

「藝術」與「設計」之間的差異在於，「設計」注重功能性和問題解決，而「藝術」則注重表達情感和意念。當代「藝術」和「設計」的發展下，兩者之間的界線與差異逐漸模糊，這種跨界灰色區域使得創作有更大的自由和表達的包容性。

藝術和設計的結合可以創造更多元化的作品和更多價值，因此，我們將展示那些處於兩者之間，或是兼具兩者特性的作品，以深入探討和理解這種跨界灰色區域的藝術價值，也可以滿足藏家對於多樣性的需求，期望透過這樣的模式，為當代藝術和設計的跨界合作提供更好的發展空間，推動產業趨勢的發展。

 

5月於南港接連兩週主要大型展會 : 「台北當代藝術博覽會」、「新一代設計展」，引來逾萬人觀眾之外，為台北打造南港藝術設計週，形成藝文生態圈。「RE:AND 」藝術設計博覽會專注從松山往信義回到南港之區域發展；本次「南港老爺行旅」攜手「自由人藝術公寓」特別邀請到「新一代設計展」大會顧問「設計發浪」主理人共同打造新興藝術設計活動。於藝術與設計兩大領域進行策畫與討論，激盪出「藝術」和「設計」兩大領域之全新火花。

 

台北為台灣藝術活動之主要匯集之地，2009年至今眾多博覽會林立，由相異之大型畫廊與藝術單位舉辦。老爺集團旗下品牌 : 南港老爺行旅品牌致力於打造集結潮、藝術屬於質感文青的設計旅店;長期關注並支持藝文活 動，舉型展覽藝術活動。2023年南港老爺作為台北首個飯店自主發起舉辦的大型藝術活動，5月於南港華麗現身，創造北區藝術博覽會全新模式、佈局未來南港藝術設計週。

 

In 2023, the world officially enters the post-epidemic era and the development of various industries gradually recovers. The art market has changed dramatically due to the impact of the epidemic, so that we need to provide more space for creators to develop. We have launched the first “no fee” art fair in Taiwan, and offered an innovative trading mechanism, which takes a percentage of the sales commission from the participants works, so as to allow more artists and galleries to participate, and also make the fair more fair and sustainable. This innovative trading system shares the risk and responsibility between each participant and the organizer, which reduces the cost of participation and encourages each exhibitors to participate more actively in sales and promotion.

In addition, the fair focuses on individual creators and artists under the age of 35, providing more opportunities for young artists to exhibit and develop. It also provides more opportunities for young collectors to collect the artworks.This exhibition requires artists to be paired with a curator or art administrator to participate in the exhibition, and to exhibit in a solo or theme-based curatorial way to ensure the qualitv and professionalism of the exhibits. Furthermore, this type of participation will give the curators or art administrators more exposure and development opportunities in the art industry, which will also improve the standard and development of the whole art industry and benefit more artists and curators.All in all, the art fair’s proposal of trading system and participation model is a very innovative approach. It can encourage more artists and galleries to participate and provide more opportunities for young artists to develop.

In May, two major exhibitions were held in Nangang: Taipei Dangdai and Young Designers’ Exhibition. In addition to attracting more than 10,000 visitors, the fair will create a new art and design week for Taipei, forming, an art and culture ecosystem. “「RE:AND」Art & Design Fair” focuses on the development of the area from Songshan to Xinyi and back to Nangang.
This time, The Place Nangang and Freedom Men Art Apartments have invited the consultant of the Young Designers’ Exhibition: the director of Designsurfing to create a new art and design event. The event will be a curatorial and interactive discussion between the two fields of art and design, and will bring out a new spark of art and design.

The difference between “art” and “design” is that “design” focuses on functionality and problem solving, while”art” focuses on the expression of emotions and ideas. With the development of contemporary “art”and “design”, the boundaries and differences between the two are gradually being vague, and this grey area across the border allows for greater freedom of creation and tolerance of expression. The combination of art and design can create more diversified works and m o r e values. Therefore, we will present works that are in between or have characteristics of both. In order to deeply explore and understand the artistic value of this gray area, and also to satisfy the collectors’ demand for diversity, We hope that through this new model, we can provide a better development space for the cross-border cooperation between contemporary art and design, and promote the development of the industry. Through this model, we hope to provide a better development space for the cross-border collaboration between contemporary art and design, and promote the development of the industry trend.

Taipei is the main gathering place for art events in Taiwan.Since 2009, many hotels art fairs have been set up, organized by different large galleries and art units. Hotel Royal: The Place is dedicated to create a design hotel that combines trendy, artistic and youthful. It has long been concerned with and supports art and cultural activities, and they also holds art exhibitions and events their own.In May 2023, The Place Nangang will be the first hotel in Taipei to organize a large-scale art event on its own initiative, and it will create a new model of art fair int h e North District.

—

– 主辦單位 ORGANIZER –

 


南港老爺行旅 The Place Taipei

老爺酒店集團旗下風格設計品牌「老爺行旅」，以the place為名，強調與飯店所在地意象文化的深度連結，並堅持「Fun、Fusion、Fashion」的品牌精神，2014年第一家行旅於台南開幕，接續台中大毅，2019年正式落腳台北。科技、融合、共享、探索 The Place，台北南港，從早期的茶鄉、黑鄉到如今的科技之都 我們為旅人紀錄收藏這些時刻 融合在地意象，佐以創意、活力、驚喜重新詮釋這座城市的面貌 打造一處方以休憩 共享交流的天地 打造一種探索城市 與之對話的方式 期許讓旅人、城市與地方的關係更為緊密。

“The Place Taipei in Nangang,” a stylish design brand under the Loyal Hotel Group, is named “The Place,” emphasizing the deep connection with the local culture and imagery of the hotel’s location. It adheres to the brand spirit of “Fun, Fusion, and Fashion.” The first “The Place” opened in Tainan in 2014, followed by Taichung Da Yi, and officially landed in Taipei in 2019. Technology, integration, sharing, and exploration – The Place Taipei in Nangang has transformed from an early tea town and coal town to the current city of technology. We collect and record these moments for travelers, blending local imagery with creativity, vitality, and surprises to reinterpret the city’s appearance. We aim to create a space for relaxation, shared communication, and a way to explore the city and converse with it, hoping to bring travelers, the city, and the local area into a closer relationship.


自由人藝術公寓
Freedom Men Art Apartments

自由人藝術公寓以藝術為圓心，創造了一些跨領域整合的新方法，嘗試新的可能，創建各種不同的藝術文化發展平台，透過有效益的「聯結、整合、創新」，致力於推動藝術大眾化的理想目標。

2012年，自由人藝術公寓成立於台中，期待能在商業畫廊、官方美術館之外，打造屬於新生代藝術家的展覽場所。挑戰結合「住所－創作－展覽」的可能性，賦予空間不同的使用機能，除了藝術展演之外，也進行各種不同的計畫，像是藝術人才育成的實習計畫、跨界表演計劃、藝術駐村…等，也積極的參與國內外的藝術博覽會及國際交流展，持續協助藝術家踏上國際舞台。

2013-2015於「板橋435藝文特區」經營「435藝術家工作室」，2016年開始朝更有機式、多點式的展覽與策展計畫的項目發展，2017-2018年在台中軟體園區以 「DALI ART國際藝術村(台中)」為期一年的駐村計畫，並且開始以藝術的策展、策劃、創意整合方向發展，目前主要計畫有「台北插畫藝術節」、「台灣印花設計節」、「亞洲插畫藝術節」、「酷兒藝術節」、「綠綠森活節」為代表，實體活動空間以松菸創作者工廠  (台北辦公空間) 作為活動據點。

Freedom Men Art Apartment is a new generation art style alternative space established in 2012. There are inside the performance space, studio, art residency, etc. We promote a middle of the field for the main purpose of the development of contemporary art in Taiwan, to promote more public arts viewing population, and to promote more young generations of creators and artists, is a new form of performance space distinct personality.

With art as the center, we created some new methods of cross-over integration, and tried new possibilities to create a variety of different artistic and cultural development platforms, and to create artistic commercialization and art through effective “connection, integration and innovation”. Popular new art and formats.

At present, there are representative works such as “Freedom Men Art News”, “Freedom Men Art Apartments”, “435 Artist Studio”, “Taipei Free Art Fair”, “Taipei Illustration Fair”, “Taiwan Pattern Design Festival”, “Asia Illustration Fair”, “Taiwan Art Practice School”, “Now Space”, “DALI ART Residency Program”.

—

– 協辦單位 CO-ORGANIZER-


設計發浪 Designsurfing

 

設計發浪Designsurfing為台灣首個設計自媒體，目前SNS總數有16萬追蹤者。以獨特評論觀點介紹台日設計、文化、藝術相關資訊。並以台日設計文化交流平台，連結台日品牌與市場，從企劃開始，連結兩地人脈、市場、甚至媒體等，以製作的觀點全 面提供顧問與橋接資源的服務。

Designsurfing is the first design self-media in Taiwan, and currently has 160,000 followers on SNS. Introduce Taiwan and Japan’s design, culture, and art-related information with unique commentary points of view. And use Taiwan and Japan to design a cultural exchange platform to connect Taiwan and Japan brands and markets. From the beginning of planning, connect the contacts, markets, and even media of the two places, and provide comprehensive consulting and bridging resource services from the perspective of production.

 


platform A

platform A 成立於2022年9月，是一間專屬於藝術家與收藏家的藝術電商平台。platform A致力於打造一個友善交流的環境，讓每位愛好者都能因為藝術而在這個平台相遇。團隊由不同背景的專業人才組成，從藝術領域到電商產業均有涉獵。透過跨域的思考與創意，以及數位工具的輔助，使 platform A 得以提供藏家與藝術家更好、更全面的體驗與感受，讓所有的人都可以輕鬆、自在地領略藝術的美好。

Founded in September 2022, platform A is an e-commerce platform explicitly designed for artists and collectors, dedicated to bringing art lovers together. platform A team brings together professionals in various areas from art to e-commerce. We combine thoughts and creativity across fields to create a better, more comprehensive experience for artists and collectors.

 

 

-主創團隊 TEAM-

共同創辦人
Co-Founder

陳進東
James Chen
「南港老爺行旅」「新竹老爺酒店」總經理

自從1999年投入旅館產業的工作後即一直待在老爺酒店集團系統迄今，服務工作方面歷經了在集團內多重的角色轉換，包括以溫泉度假為特色的「知本老爺酒店」，負責現場客房、餐飲及休閒服務營運和行銷業務，以及以都會商務為主客群的「新竹老爺酒店」和籌備2019年開幕的「南港老爺行旅」，並擔任總經理一職，並且一度在集團總部「老爺管理顧問公司」任職，統籌整合集團各飯店的組織和資源，並且負責籌備海外新建旅館「西貢老爺酒店」（越南胡志明市，已於2012年開幕），主要負責包括設計規劃協調、委外經營管理合約洽談及建築營建專案之整合工作。 二十餘年來在老爺酒店集團的學習與歷練，不斷的滋養了對於旅館業的專案開發與規劃、實務經營與管理、專案企劃與執行以及業務行銷與公關等工作的熱情與反思，初心未殆。

—-

共同創辦人暨聯合總監
Co-Founder & Co-Director


顔寧志
Andy Yen
 「自由人藝術公寓」「台北插畫藝術節」主理人

2017-2018年「 臺中國家歌劇院 」駐館藝術家，作品 2018 臺中國家歌劇院《照妖鏡》，2018-2019「台灣藝文空間連線」理事、「STAART 亞洲插畫藝術博覽會」總監、「集人文化藝術（上海）有限公司」藝術顧問。

臺南藝術大學藝術創作理論研究所博士班、交通大學應用藝術研究所博士班肄業、實踐大學時尚與媒體設計研究所畢業、臺南大學美術系學士、戲劇系輔修畢業。

策展人身份外為跨領域藝術家，有強烈的個人視覺語彙，主要在視覺創作外，跨足設計、時裝、影像、裝置、表演等不同領域。熟悉亞洲藝術與設計領域、擅長於藝術文化活動的跨域策展、策劃、整合與管理、並策劃且參與國內外各種不同的展覽、藝術博覽會以及藝術項目與駐留計劃。

Andy Yen Born in Taiwan at 1985. Doctoral Program in Art Creation and Theory, Tainan National University of the Arts in 2016-2017. Doctor of Applied Arts, National Chiao Tung University 2014-2015. Master of Fashion and Communications Design, Shih Chien University. Bachelor of Fine Arts with minor in Drama, National University of Tainan.

Now is currently the director of  ” Freedom Men Art Apartments “,  ” Taipei Illustration Fair ” and ” STAART Illustration Art Fair “, Art consultant of “Artoghter Culture and Art (Shanghai) Co., Ltd.”.  Director of the ” Taiwan Art Space Alliance ” 2018-2019 and the resident artist of the Taichung National Theater in 2017-2018.

As a curator, he is familiar with Asian art and design and excels in cross-disciplinary curation, planning, integration, artistic creativity, and management of art and cultural events. He has curated and participated in various exhibitions, art fairs, and art projects, as well as residency programs both domestically and internationally.

Aside from being a curator, he is also an artist. Andy Yen has explored multidisciplinary fields of creation, such as visual art, fashion, multimedia, installation, and photography. As an interdisciplinary artist with a strong personal visual style, he is keen on creating different forms of art and specializes in interdisciplinary integration between art and design. He has also collaborated on art projects with various organizations, such as Swatch, TWININGS, Nike, and others.

—-

共同創辦人暨聯合總監
Co-Founder & Co-Director



設計浪人
Chad Liu
15萬人追蹤的設計自媒體「設計發浪designsurfing」主理人

1981年，台灣出生。2011年，桑沢設計研究所畢業。2015年，成立台日設 計藝文交流平台「設計發浪designsurfing」。不只是以設計自媒體傳遞資訊，更以製作的觀點切入，協助台日兩地的品牌與創作者進行品牌及市場推廣。

藝廊「觀止堂 Admira Gallery」日本代表、中華民國工業設計協會理事。以獨特眼光挑選台日設計藝文資訊介紹、評論，並積極橋接台日創意工作者各種資源合作，企劃展覽、活動。也帶著藝術家作品到世界各地參與藝術博覽會展覽、販售。在雜誌與網路媒體也經常發表跟台日設計有關的評論與報導。目前以製作人、橋接者、評論者三個身份活躍在台日設計藝文界。

2020-2021 「MOSCOT 眼鏡設計展」策劃執行、2018-2023  帶領藝術家參與藝博會Art Central、Art Tokyo、Art Taipei 、2017-2023  台灣畢業設計年鑑「書上設計展」編輯企劃、2017-2019 福井縣美濱町地方創生專案「mihamaction」策劃執行、2016-2017  Good Design Award 海外媒體夥伴。

The Creative Director of Designsurfing which is the most  well-known Self-Design Media in Taiwan with 150k followers, also as the Chief Manager of ADMIRA Gallery in Japan. Besides introducing and writing the unique perspectives for design、culture and art of Taiwan and Japan, Chad has dedicated to coordinate the business relation and resource between Taiwan and Japan and curated artistic exhibitions and events all over the world. Designsurfing, Creative Director. Admira Gallery, Chief Manager of Japan. Chinese Industrial Designers Association, Board member.

2020-2021  Curator of 「MOSCOT」Design Exhibition in sunsun museum, 2018-20XX  Participating in the art exhibitions ,such as 「Art Central」,「Art Tokyo」,「Art Taipei」,etc. 2017-20XX  Editor of Taiwan Graduation Project Yearbook. 2017-2019  Producer of Fukui mihama-cho Local Revitalization project 「mihamaction」. 2016-2017   Overseas Media Partner of 「Good Design Award」.

 

– 顧問暨評審 Consultant & Jury –


謝豐嶸
Hsieh Feng-Rong

謝豐嶸，策展人，現供職於新北市美術館籌備處。曾任上海外灘美術館資深策展人、金馬賓館當代美術館企劃總監。 Curator, New Taipei City Art Museum Planning Office. Hsieh also worked as Senior Curator at Rockbund Art Museum in Shanghai and as Director of the Planning Dept. at ALIEN Art Centre in Kaohsiung.

—


方序中
Joe Fang

現任「究方社」創意總監，「小花計畫」、「SIDOLI RADIO 」計畫發起人。參與的專案跨領域遍及專輯包裝設計、企業品牌規劃、裝置藝術及典禮視覺統籌等，擅⻑以「說故事」的設計方式呈現「溫度」，拉近設計與大眾的距離。擔任「小花計畫」系列展覽策展人，並參與臺灣文博會、台灣設計展等策展計畫。

Joe Fang is a graphic designer. He is currently the creative director of the design studio “JOE FANG STUDIO” . The main fields of works include record packaging, book binding , key visual design, and corporate identity . In recent years, the types of projects involved have also expanded to event curation, product packaging, installation art, MV art and other fields. So far, it has been shortlisted for the best binding design of the Golden Melody Awards six times . Since 2016, he has served as the visual director of large-scale ceremonies such as the Golden Bell Awards , Golden Melody Awards , and Golden Horse Awards for many times . He is the first designer to execute the main visual of Taiwan’s three Golden Ceremonies. In 2015, he launched a series of exhibitions “Little Flower Plan” to record the cultural memories of military dependents’ villages with photography and installation exhibitions.

—


李  霽 Chi Lee  

李霽（LEE CHI）的多重面向來自於童年成長過程中對大自然的體驗與連結、建築系務實理性的思維訓練、就業後從事空間設計所經歷繁瑣的工程與不同角色的溝通，水瓶座的他總是在現實與抽象的維度中發現源源不絕的創作靈感，透過創作產生對自身觀看環境與哲學的提問、整理、探索、反思，嘗試藉由創造的方式與觀者對話和聯繫起內在的共鳴。

以作品帶出他從自身的經驗和對環境、社會性的觀察，他以溫柔和極詩意的結構調性表現出作品空間美感，而結合起作品的骨架是他的敘事和轉化的天賦能力。

李霽（LEE CHI）的建築思維與實踐深植於作品各個符號當中，透過轉化不同媒材，將個人感受與對社會的反思融為一體，帶領觀眾思考比自我更深邃地形而上學的探索。直覺性的二維畫面被創作後，藝術家選擇使用最務實煩累的手作實驗方式，針對蒐集而來的物件進行技術研究，改造它們的外觀、 或轉化物件的本質，例如2013年以植物與現成物，到近期直接使用生活裡面輕易可見的生活物件、消耗品、重複使用的替代品、再製品、廢棄建築材料等，進行重組應用轉化拼貼。觀看李霽（LEE CHI）的作品是複雜的感官體驗，挑戰觀者視覺與認知的慣性，這些再生媒材的新樣貌，讓創作本身延展出更多樣豐富的意涵，使每位觀者皆能在其中擷取與自身有共鳴的想像與詮釋。


葉忠宜
Yeh Chung-Yi

日本京都藝術大學研究所畢業。「卵形平面設計工作室」負責人。藝文空間「森³ sunsun museum」共同創辦人。「重本書店」共同創辦人。華文圈首本字體設計專業雜誌《Typography字誌》創刊統籌，並策劃設計教育書系《Zeitgeist》，引進國外平面設計經典著作。設計作品曾獲英國D&AD awards wood pencil winner、日本Good Design Best100、Tokyo TDC Prize Nominee Work、金點獎年度最佳設計獎、德國紅點Red Dot，並入選布魯諾國際雙年展、莫斯科國際平面設計雙年展金峰獎。

Chung-Yi Yeh, born in 1982 in Taiwan. In 2007, he went to Japan to study graphic design and photography. He finished MA (major in art and design ) from Kyoto University of Art and Design in 2012. He is a freelancer as a designer, a photographer, and a translater of Janpanese typographic design books. Oval-graphic Studio Founder, Director.
—



李承道
LEE Chen-Dao 

1982出生於臺灣臺北，臺灣藝術大學當代視覺文化博士研究生。通過多元媒體，包括繪畫、出版、執導，在藝術創作、商業影像之間跨界，推論兼具流行與美學價值的實踐方法，展現藝術與當下的關係。曾拿下村上隆Geisai藝術大獎，近年監製多部藝術商業影片，合作對象包括知名國際歌手張靚穎、TF BOYS王源。作品發表於洛杉磯Corey Helford Gallery(2021)、東京MEGUMI OGITA GALLERY(2020)、萊比錫Aki Gallery(2020)、紐約Jonathan LeVine Galley(2017)、台北。藝術指導作品曾獲休士頓國際影視展白金獎(2017)、紐約ADC Global Awards MOTION銅獎(2017)、德國紅點設計獎傳播設計類Best of the Best(2017)。 國立臺灣藝術大學美術系學士，台北，台灣(2006年) 國立臺灣師範大學美術系碩士，台北，台灣(2009年) 現為國立臺灣藝術大學當代視覺文化博士研究生，台北，台灣(2019年~至今)。

Chen-Dao LEE, 1982 Born in Taipei, Taiwan. B.F.A., National Taiwan Art University, Department of Fine Art. M.F.A., National Taiwan Normal University, Department of Fine Art. He crosses over artistic creation and commercial videos as he practices painting, publishing, and directing. Transcending the boundaries between popular and aesthetic values, he explores the relationship between art and the present.
—


谷宛儒
Irene Ku

如芸制作負責人，曾任逾十年醫藥公關公司co-founder & director職務，提供大型國際藥廠之處方簽藥物、醫療儀器、疫苗、OTC產品之重要關係人衛教方案或活動、媒體策略及議題規劃、危機應變處理、記者會、重要關係人專訪等專業協助。主要服務如諾華、賽諾菲、羅氏、禮來、拜耳、武田、百靈佳殷格翰..等等國際藥廠，與雷射、植牙、心臟支架….等器材廠商，亦包含心臟基金會、高血壓學會、台灣癌症基金會、希望基金會、乳癌防治基金會…等等醫師病友組織之協作溝通。所執行之專案曾獲第二屆華文公關獎健康類銀獎，亦負責帶領由諾華藥廠內部評鑑為優等之公關團隊。

2018-2019「台北當代藝術博覽會」台灣媒體公關、世新大學公廣系「國際公關」選修課受聘講師、2020 – 2021「威尼斯建築雙年展台灣館 參展團隊—自然洋行建築事務所」公關與募資、2020「 打開台北 Open House Taipei」策展團隊媒體公關、2021 關渡美術館「Tide Table: Marina Cruz 潮汐時間表：瑪麗娜克魯斯」公關與媒體宣傳、2021「貴人散步音樂節記者會」公關媒體宣傳、台灣設計師品牌文具「 物外 華山pop up展」公關、安卓藝術「流光：當代藝術聯展」、「靈語：艾伯特·約拿桑·瑟提亞萬」、「黨若洪個展『高枕無憂的你』從瘟疫到戰爭：關於災厄如慶典的一魚兩吃」 展覽公關統籌、2022 「STAART 亞洲插畫藝術博覽會」 公關統籌。

Funder of As Art As Creation – Irene Ku. Worked as co-founder & director of a pharmaceutical PR company for more than 15 years. Provide professional assistance such as medical education programs or activities, media strategy and issue planning, crisis response, press conferences, and exclusive interviews with important stakeholders for prescription drugs, medical equipment, vaccines, and OTC products. Mainly serving international pharmaceutical companies such as Novartis, Sanofi, Roche, Eli Lilly, Bayer, Takeda, Bailingca Ingelheim, etc., and equipment manufacturers such as green lasers, dental implants, cardiac stents, picosecond lasers, etc. , It also includes collaboration and communication among physician-patient organizations such as Heart Foundation, Hypertension Society, Taiwan Cancer Foundation, Hope Foundation, Breast Cancer Prevention and Control Foundation, etc. The executed project won the Silver Award in the Health Category of the 2nd Chinese PR Award, and is also responsible for leading the PR team that was rated as excellent by the internal evaluation of Novartis Pharmaceuticals.

2018-2019 Taiwan Media PR of the Taipei Dangdai Art Fair. Former lecturer of the elective course of “International Public Relations” in the Department of -Public and Broadcasting Department of Shih Hsin University. 2020 – 2021 Venice Architecture Biennale Taiwan Pavilion Participating Team PR & Fundraising. 2020 Open House Taipei Curatorial Team PR. Kuandu Art Museum’s first post-pandemic exhibition “Tide Table: Marina Cruz” public relations and media promotion. LUCFest Music Festival Press Conference PR Media Promotion. Taiwan designer brand stationery YSTUDIO pop up exhibition PR. 2022 Mind Set Art Center ” Flowing Light” public relations and media promotion.

– 執行團隊 RE:AND TEAM  –